Rachel Bubis: Your photographic-based work explores the “subjective nature of domestic photographs”. How did you get interested in this subject? Kelly Hider: Even though my background is in painting and drawing, I have always had powerful photography influences. I am from Rochester, NY, home of the Brownie camera, George Eastman Kodak, and the George Eastman House, which is an incredible museum, movie theatre, film and photo restoration center and archive. I took photography classes during undergrad at the Visual Studies Work...
Read more >THE FOCUS
Last month, artist Lynne Ghenov and contributor to The Focus, Ashley Layendecker, sat down together in Lynne’s South Knoxville home for a candid conversation about her work. Ashley Layendecker: I want to start with your discovery of this found paper. Can you describe how you came to find it and how it changed your process? Lynne Ghenov: I’ve always been interested in vintage books and old papers. I’ve also done some collage work in the past using older...
Read more >Amelia Briggs: So you maintain a studio here and at school? McLean Fahenstock: Right now I’m working a lot at Austin Peay because I’m doing a lot of building and a lot of stuff that’s too toxic to do in an environment like this, because this is the base floor of a three story building and there are other people in here that probably should be breathing what I’m working with. But when school starts, I will hav...
Read more >Carrie Hull: So, you mentioned that you grew up in Tennessee, in the Nashville area, and you studied in Mississippi and then Chicago. Has returning to Tennessee affected your work in a significant way? Molly Barnes: Oh, drastically. So, I was in Mississippi, I met my husband there, and I had really just gotten my feet wet in trying to figure out what I wanted to do. I made these big white pieces that were Agnes Martin inspired, and was...
Read more >Recently, David Onri Anderson and I sat down and discussed his work over a cup of coffee. I first discovered David’s work when he showed at Fluorescent Gallery in Knoxville where I was the Assistant to the Director. Since then, I’ve been invested in his work and also his ideas as an artist. David is also a curator at Mild Climate in the Packing Plant building in Nashville. He helps promote contemporary art in the city and also keep...
Read more >Rachel Bubis: You describe yourself as “a hunter and gatherer of images.” Are these both digital and physical? Where do you keep them? Jered Sprecher: Yes, both digital and physical images. A good friend of mine, who is also an artist, talks about being in the studio even when you are not physically in the studio. I really take that to heart. I am always looking for things that are engaging to the eye and the mind. I take a lot...
Read more >Ashley Layendecker: How long have you been making this type of work and why? Dwayne Butcher: I used to spend so much time thinking about color; the right color. I would think about the color and the color matching the phrase. Then some people didn't like the color but liked the phrase. When we moved to Baltimore, I was working on a show and we moved across the street from the Baltimore Museum of Art, the BMA. They had a...
Read more >Clare Grill was the Artist in Residence at the School of Art in Knoxville Tennessee this past semester. As a working artist in NYC, she came to UT to teach classes for undergrad and graduate students. I first heard Clare Grill talk about her work at a artist lecture held by the university. I was intrigued by her willingness to be vulnerable about her process in making her work as well as her journey to where she is now. This...
Read more >