THE FOCUS

Wesley Roden: Though many artists seek to emulate childlikeness in their work, your sculptures stand apart by appealing specifically to children. How is sculpture serving a role in artistic literacy as well as general development for a younger generation? Beth Reitmeyer: I want the world to be a magical place, a place in which we all experience wonder and awe. As I consider my audience, I don’t set out to appeal specifically to children, but often they are the qu...

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Rachel Bubis: You describe your work as resonating around the notion of faith, its tangibility, and the “intricacy and length of a soul’s pondering.” This is reflected through your process of layering and abstracting imagery of subjects such as church buildings. Can you talk more about this? Has this process informed your own spirituality and faith? Joe Letitia: The process started from teaching students a project where they produced an abstracted mandala type image based on their names. They would...

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Wesley Roden: Whether landing gear amidst an excavation site or classical sculpture lingering in a basement, your work turns recognizable objects foreign by altering the environment. Do you see your role as an artist as being that of reframing cultural symbols? How does depicting some objects as if naturally existing and others as if collaged in place, comment on their recontextualization? Donald Keefe: I’m interested in anachronisms. We very much experience the world in a broken up, jumbled way. We...

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