THE FOCUS

Hanna Seggerman: How have your childhood memories and experiences, like spending time in your aunt’s salon, influenced your artmaking practice? Ashanté Kindle: When I think about my childhood memories in relation to hair, there are so many experiences that have allowed me to develop a true love for the important role hair plays in my identity. Hair has always been a way of connecting with those I love. I also always saw hair as a form of expression and cre...

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"The history and experiences of Southern Post Removal era Native Americans, mixed-blood African and European Americans, and immigrants have faded into time and lay in the pages of dusty unopened archives, the minds of their descendants, the edge of the latter’s psyches, often forgotten altogether. When one thinks of the South, these people do not come to mind. It is generally perceived and assumed that the South exists only in Black and White, metaphorically, and “racially”. The narrative that I pres...

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The Focus contributor Ansley Gwin recently visited the first edition of MOCAN's Traveling Museum Project (TMP1), “Radical” Thoughts, and documented her experience. Participating artists include Ali El-Chaer, Alison Underwood, Ashanté Kindle, Chalet Comellas-Baker, Clint Sleeper, Dan Derwelis, Jazlyn Eubanks, Jordan Benton, Laura Klopfenstein, Libby Danforth, Marlos E’van, Maya Shoham, Nadia Nizamudin, Nana Maiolini, Nuveen Barwari, Quynh Lam, Suzy Slykin, Veronica Leto, Vivian Liddell, and Woke3. Traveling Museum Project (TMP1), “Radical” Thoughts, remains on view through this Saturday, May 29. Gallery Visit, MOCA...

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