• Nebula Riot

    24x24in. oil on canvas  |  2015

  • Riot Nimbus Peak

    30x30in. oil on canvas  |  2015

  • Patriot nimbus

    24x26in. oil on canvas  |  2015

  • Nebula Conflict

    12x12in. oil on canvas  |  2015

  • Stormy Weather

    12x14in (framed) charcoal on paper  |  2015

  • The Tempest

    14x16in. (framed) charcoal on paper  |  2015

  • The Stripped Path

    10x16in. (framed) charcoal on paper  |  2015

  • Marauder

    12x15in. (framed) charcoal on paper  |  2015

  • Marauder with Exploding Derrick

    8x12in. (framed) charcoal on paper  |  2015

JASON STOUT Representation Website CV

Jackson/Martin, TN | Painting, Drawing

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio in 2004. Stout’s work visually deals with elements of formal and figurative abstraction, while exploring such themes as power, history, and identity, especially through the guise of southern culture. His work exists in several private and public collections, including the University of West Georgia, Jacksonville State University, and the University of Tennessee at Martin. During his career he has participated in several solo exhibitions and has been a part of several group exhibitions as well. Stout has won several scholarships and individual awards for his work. He is currently an Associate Professor of Art at the University of Tennessee at Martin and is represented by REM Gallery in San Antonio, Texas. Stout was recently named TAEA Higher Education Art Educator of the Year for 2015-16.

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My current body of work deals with the idea of the modern landscape, both formally and conceptually. In this series idyllic semi abstract representations of a natural environment exist. These landscapes are however altered by man’s existence, even though often no figure is visibly present. Oil derricks and bore holes co-exist with trees, bushes, and mountains, slowly taking over their position. In the foreground the top layer of earth is peeled back, exposing the polluted after effects of fracking and the water contamination that follows. An eerily placed path crawls through the composition as a metaphor for exploring a dangerous road ahead. Cloud compositions deal with the idea of conflict and turbulence, both domestic and abroad. These clouds also double as nebulas, contracting and expanding energy around the idea of conflict, abroad or domestic. These works deal with notions of political strife coexisting with environmental concerns, and create compositions of smaller troubled environments coexisting in larger yet equally troubled ones. Although there are fragmented figurative elements existing in and outside of these clouds, the only figure visibly present and intact is a lone gunman, who travels around these desolate landscapes, engaging in violence and conflict as well.

- Jason Stout 2016

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