THE FOCUS

Rachel Bubis: How are you? It’s obviously been a tumultuous year so far… How has your quarantine experience been? Have you been making new work? If so, has your perspective changed or have you reflected on your practice in a new way?  Houston Cofield: I’m doing okay. Probably about the same as many people / artists during this time. Commissioned work has slowed down significantly which I’m actually very grateful for. It has allowed me to ref...

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“Sequestration Still-Lifes and Other Scenes from the Plaza consists of a body of metaphorical paintings that tackle the still life as a subject. The paintings, done under quarantine, cover the ideas of domestic claustrophobia, vice, and the political and medical misgivings of our country from the months of February to August 2020. These paintings draw from a span of historical influences, which include Dutch memento mori, synthetic cubism, and pop art.” Jason Stout, Peach Heart Window and the Wizard of Oz, 2020, 30" x 30...

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"I’m currently preparing for a solo exhibit titled “Rocks Cry Out” at Southern Adventist University. It was originally scheduled for October, but has now been postponed to January. The extra time has been a gift, allowing me to move more slowly and deeply into research and painting. The ground at our feet has been a witness to the land and its people since the very beginning. My goal is to listen to its stories and learn from those who teach...

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