• The Reclamation of Amoco Cadiz

    Archival inkjet print
    13 x 20"  |  2016

  • The Reclamation of Unknown Vessel I

    Archival inkjet print
    8 x 12"  |  2015

  • The Ghosting of the Catala

    Archival inkjet print on metallic paper
    7 x 9.5"  |  2016

  • The Ghosting of the HMS Antelope

    Archival inkjet print on metallic paper
    8 x 10"  |  2016

  • The Sun Taught Me How to Set

    Still from Color video with stereo sound
    4:48 minutes  |  2014

  • Good Director Islands 2

    Archival inkjet print with 24k gold leaf, laser etched glass
    5 x 7"  |  2013

  • In The Offing

    Still from Color video with stereo sound
    5:11 minutes  |  2014

  • Good Director Islands 7

    Archival inkjet print with 24k gold leaf, laser etched glass
    5 x 7"  |  2013

  • Good Director Islands 9

    Archival inkjet print with 24k gold leaf, laser etched glass
    5 x 7"  |  2013

MCLEAN FAHNESTOCK Website CV

Nashville, TN | Mixed Media, Photography, Time-based, Sound, Video
Bio:

McLean Fahnestock is a media artist who works in video, sound, sculptural installation, and photographic prints. McLean reclaims material from institutions, seeking out footage, images, and items that carry the weight and specificity of history and the trappings of exploration.

McLean received a BFA from Middle Tennessee State University and MFA from California State University Long Beach. Her work has been exhibited and screened across the United States and Internationally in Ireland, Canada, Belgium, Germany and Japan. She has received an ARC Grant from the Durfee Foundation, two Hoff Foundation Grants, and was awarded a Professional Artist Fellowship from the Arts Council for Long Beach. Her work was included in a DVD compilation of short videos by the LA Film Forum. She was a finalist for a 2012 Vimeo Video Award and was recently named “Most Promising New Artist” at MADATAC 05, in Madrid, Spain.

McLean currently lives and works in Old Hickory, Tennessee.

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Statement:

I am a media artist who works across modes of communication, from video and photographic images to sound, text, and display. My projects are centered around exploration. Inspired by the presentation modes that are found in the institutions that specialize in the delivery of knowledge –museums, libraries, and the media. I consider each of these and their roles and contrast them with heuristic experiential modes of acquiring knowledge. I mine these same locations and their archives for the materials that I utilize in my work.

My explorations begin in the institutions that house the archives and tell the tales of
these acts and expand out in to the field, re-imagining and representing material. I am
drawn to the character of the explorer and their singular focus on frontiers in spite of
risk–the possibility that they could see something authentically new that could then lead
to a place in history.

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