• embers

    Colored pencil on paper
    30” x 22”  |  2020

  • a shift in the season

    Watercolor and colored pencil on paper
    30” x 22”  |  2019

  • hold fast

    Watercolor and colored pencil on paper
    30” x 22”  |  2019

  • absorption 1

    Watercolor and colored pencil on paper
    11” x 15”  |  2018

  • absorption 1

    Watercolor and colored pencil on paper
    11” x 15”  |  2018

  • talus integument p16

    Monotype on paper
    50” x 30”  |  2016

  • talus integument p12

    Monotype on paper
    50” x 30”  |  2016

  • fibrous integument 3

    mixed fabrics
    38” x 27”  |  2016

  • fibrous integument 2

    mixed fabrics and handbeading
    38” x 27”  |  2016

JESSIE VAN DER LAAN Website CV

Knoxville, TN | Sculpture, Mixed Media, Printmaking, Drawing, Installation
Bio:

Jessie Van der Laan is an interdisciplinary artist, living in Knoxville, TN. She received her B.F.A in Printmaking and Drawing from Washington University in St. Louis (2002) and her M.F.A in Studio Art from the University of Tennessee, Knoxville (2009). Her work is informed by her training as a printmaker, and a childhood spent knitting, sewing, drawing, and daydreaming. Van der Laan was raised in Denver, CO, whose landscape continues to lend form and color to her work. She is an Instructor of Art at Walters State Community College in Morristown, TN. She has shown her work in numerous national and regional exhibitions.

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Statement:

In my work I consider the layers that make a whole – the contradictions that meet in the same space. I work interchangeably between drawing, printmaking, fiber sculpture, and installation, using repetition to build form and a sense of time. The work is an accumulation of dreams, worries, hopes, and fears translated through shelters, caverns, bodies, hollows and perforations. I instinctively refer to natural colors and forms, such as linear striations of rock, muted tundra ochres, vibrant summer flowers, and blooming greys of an approaching storm. This imagery alludes to the world we inhabit, are desperate to protect, and which holds the history of generations. Figurative elements either become windows to what is exuberant and joyful or serve as shadows or veils, dulling and obscuring the elements below. I create depth and density through overlays of information, and light is found within the dark. Within the subtle, liminal, and bittersweet, I contemplate the sentiment of the past, and the potency of a hopeful future.

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