• Internal Chaos (Quirky)

    oil on canvas
    11 in x 14 in  |  2019

  • The Royal Court (Prince Joseph III)

    oil on canvas
    53 in x 38 in  |  2019

  • The Royal Court (Sir Brandon The Great)

    oil on canvas
    53 in x 38 in  |  2019

  • The Royal Court (King John II)

    oil on canvas
    53 in x 38 in  |  2019

  • Memories And Reality

    John E. Strong Sr. reprint photograph
    5 in x 7 in (both)

  • Memories And Reality

    family photos reprinted and altered

  • Conisha the Civil Engineer

    oil on board
    8 in x 10 in  |  2015

  • Toshima the Public Relations Consultant

    oil on board
    8 in x 10 in  |  2015

  • Delisha the Chemist

    oil on board
    8 in x 10 in  |  2015

DONNA WOODLEY Website CV

Nashville, TN | Painting
Bio:

Nashville based artist Donna Woodley is a painter whose works discuss the examination of black culture in conjunction with American culture. She is an educator of art and her work has allowed her to emerge within the art community participating in exhibitions and other happenings across the USA.

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Statement:

Thoughts, discussions, and many healthy debates about black culture over the years are seeds that I’ve subconsciously sewn, rediscovering them as an artist years later. At my core, I am a portrait painter and love making work that speaks to notions of the Black Experience. The figure in my paintings is usually confrontational towards the visibility and value of black people within American society, both historically and in a contemporary context.

Enlisting men and women that I know, including myself, is a significant part of my process. It allows me to explore the idea of emotion, connection, and relationship, and also challenges me to render the figure accordingly. I discuss current themes and ideas that exist by combining the figure with absurd metaphors such as granny panties or toilets. Informed by stereotypes, cultural similarities and differences, perception of beauty, mental health, and esteem, my work often uses subtle humor to create an environment conducive to healthy dialogue.

I’m happy when a viewer feels compelled and comfortable to approach my work. The icing on the cake is if they dwell there, laugh, think, hate it, love it ultimately walking away having felt something.

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