• False Memory

    charcoal, cut silhouette, acrylic, marker, and postcard on paper
    22" x 30"  |  2024

  • Postcard Bronco

    charcoal, cut silhouette, acrylic and charcoal on paper
    22" x 30"  |  2024

  • Tall Cowboy (gun-tied)

    acrylic paint, charcoal, and sewn canvas
    48" x 96"  |  2024

  • Tall Cowboy (cradled)

    acrylic paint, charcoal, and sewn canvas
    48" x 96"  |  2024

  • Small Cowboy Postcard 1

    charcoal and vintage postcard on paper
    15" x 22"  |  2024

  • Small Cowboy Postcard 2

    charcoal and vintage postcard on paper
    15" x 22"  |  2024

  • Exceptional Myth

    drawing installation, Slocumb Gallery, East Tennessee State University
    variable  |  2025

  • Exceptional Myth

    drawing installation, Slocumb Gallery, East Tennessee State University
    variable  |  2025

  • Exceptional Myth (Detail)

    charcoal on hollow core doors, Slocumb Gallery, East Tennessee State University
    variable  |  2025

DAWN MARTIN DICKINS Website CV

Clarksville, TN | Mixed Media, Drawing, Installation
Bio:

Dickins earned her BFA from Georgia Southern University and her MFA from the University of South Carolina. She has exhibited works throughout the Southeast and has taught college-level studio classes for many years. She continues to teach advanced collaborative drawing for the Tennessee Governor’s School of the Arts every summer. Dickins currently resides in Clarksville, Tennessee.

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Statement:

Dawn Martin Dickins is a drawing and installation artist whose imagery is deeply rooted in metaphor. Her work responds to pressing political issues that resonate with her identity as a citizen, woman, and mother. While Dickins explores various scales in her art, she is particularly drawn to the performative aspect of large-scale public installations, which invite viewers to engage with the creative process as it unfolds.

Dickins’ current work explores the symbolic figure of the American Cowboy as a representation of American Exceptionalism. Through her art, she investigates the intersections of this cultural icon with the nation’s current political landscape, offering a critical reflection on how this enduring myth shapes contemporary ideologies.

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