Exhibitions
MARÍA MAGDALENA CAMPOS-PONS: BEHOLD
Frist Art Museum / 919 Broadway September 27, 2024 - January 5, 2025
María Magdalena Campos-Pons
The Frist Art Museum presents María Magdalena Campos-Pons: Behold, a sweeping exhibition of photography, installation, video, painting, and performance spanning the nearly four-decade career of the Cuban-born artist who now lives and works in Nashville. Organized by the Brooklyn Museum and the J. Paul Getty Museum, the exhibition will be on view in the Frist’s Ingram Gallery from September 27, 2024 through January 5, 2025.
The first survey of Campos-Pons’s work since 2007, Behold brings together career highlights and new works, along with a multimedia series on view for the first time in the United States. In more than 50 richly layered artworks, sketchbooks, and documented performances, the artist draws on her memories and experiences as well as her family’s story to examine the histories of enslavement, indentured labor, motherhood, migration, and race. The exhibition audio guide will feature Campos-Pons speaking about selected works.
“Campos-Pons is a witness, chronicler, and oracle, telling stories that are emotionally powerful and searingly honest,” writes Frist Art Museum chief curator Mark Scala. “Whether in expressions of family bonds and spiritual engagement or indictments of colonial history and its ongoing legacy of racism, they all point to the capacity of art to overcome hurt through the healing power of love.” Born in Matanzas, Cuba, in 1959, Campos-Pons incorporates Yoruba-derived Santería symbolism in her work but also references her experiences living in Boston, Italy, and Nashville, where she has been the Cornelius Vanderbilt Endowed Chair Professor of Fine Arts at Vanderbilt University since 2017. In 2011, the Frist organized an exhibition titled Journeys that featured Campos-Pons’s photography and multimedia works that explored aspects of the transatlantic slave trade broadly and her family’s particular history in the sugar industry.
Beyond her artistic practice, Campos-Pons has made significant contributions to the larger art world and to Tennessee by founding and leading the Engine for Art, Democracy and Justice, a trans-institutional initiative between Vanderbilt, the Frist, Millions of Conversations, and Fisk University that brings scholars, critics, and artists from around the world together for artist interventions, exhibitions, seminars, and other programs. She launched the exhibition Intermittent Rivers in her hometown of Matanzas, Cuba, as part of the Havana Biennial, and served as the consulting curator for the 2023 Tennessee Triennial. In 2023, she was named a MacArthur Fellow in recognition of her groundbreaking synthesis of cultures and mediums in advocating for art’s capacity to heal individuals and society.
Image: María Magdalena Campos-Pons (born Matanzas, Cuba, 1959). Red Composition, from the series Los Caminos (The Path), 1997. Polaroid Polacolor Pro photographs; 3 parts: 37 x 29 in. each; 37 x 87 in. overall. Collection of Wendi Norris. © María Magdalena Campos-Pons. Image courtesy of the artist
