Exhibitions
A TWO WAY MIRROR: DOUBLE CONSCIOUSNESS IN CONTEMPORARY GLASS BY BLACK ARTISTS
Knoxville Museum of Art / 1050 World's Fair Park Dr. February 6, 2026 - May 3, 2026 (Reception: February 6 5:30pm - 8:30pm)
Anthony Amoako-Attah, Radcliffe Bailey, Layo Bright, Crystal Z. Campbell, Chris Day, Cheryl Derricotte, Alejandro Guzman, Mildred Howard, Jason McDonald, Parfums de Vigny, Ebony G. Patterson, Pellatt & Green, Related Tactics, Salviati and Company, Joyce J. Scott, Shikeith, Therman Statom, Renée Stout, Barbara Earl Thomas, Hank Willis Thomas, Leo Tecosky, Kara Walker, Fred Wilson
A Two-Way Mirror features works in glass by international contemporary Black artists who through this material to explore social, cultural, gender, and racial identity. Due to its reflectivity and translucence, glass is an especially effective medium to examine notions of identity as in the theory of double consciousness presented by W.E.B. Du Bois in his seminal work, The Souls of Black Folk.
Curated by Jabari Owens-Bailey, the exhibition features work by Anthony Amoako-Attah, Radcliffe Bailey, Layo Bright, Crystal Z. Campbell, Chris Day, Cheryl Derricotte, Alejandro Guzman, Mildred Howard, Jason McDonald, Parfums de Vigny, Ebony G. Patterson, Pellatt & Green, Related Tactics, Salviati and Company, Joyce J. Scott, Shikeith, Therman Statom, Renée Stout, Barbara Earl Thomas, Hank Willis Thomas, Leo Tecosky, Kara Walker, Fred Wilson.
image: Chris Day (British, born 1968), Strange Fruit, 2018. Blown and sculpted glass with steel, hessian cord and reclaimed electrical wire. Courtesy of the artist and Vessel Gallery, London. Photo by Simon Bruntnell
Organized by the Museum of Glass, Tacoma, Washington.
About Knoxville Museum of Art:
The Knoxville Museum of Art began its institutional life in 1961, establishing core values as a community-rooted organization that mined what art and culture could mean in East Tennessee. In the late 1980s, operations moved to a downtown location to serve a growing community. The modern-day KMA opened in 1990 in a 53,200 square-foot facility designed by architect Edward Larrabee Barnes. By the new millennium, the Museum’s collecting and programming mandate also advanced from an array of traveling blockbusters and local craft to focus on an archaeology of the fertile history of Appalachia and its evolving present. Our core exhibition project, Higher Ground: A Century of the Visual Arts in East Tennessee, was decades in the making, proposing a more inclusive historical narrative that entrenches the importance of stalwarts such as Lloyd Branson, Catherine Wiley, and the Knoxville Seven, while also recognizing the contributions of previously marginalized artists, most notably brothers Beauford and Joseph Delaney, as well as the self-taught Bessie Harvey. The KMA enters its next organizational chapter by way of a programmatic vision that pushes our purview into a more expansive geography. Under the banner of Appalachian Imaginary, the Museum presents a dynamic series of exhibitions that embrace a wider lens with which to see our site, and ourselves. Located at 1050 World’s Fair Park Drive in downtown Knoxville, the museum is open Tuesday through Saturday (10:00 AM–5:00 PM) and Sunday (1:00–5:00 PM). Admission and parking are free. Learn more at knoxart.org.
Press Contact: Sarah Kaplan, skaplan@knoxart.org, 865-934-2034
