• Backward Glance

    color photograph (from The Bad Flowers series)
      |  2019

  • Self to Stone

    TOPS Gallery Madison Park, Memphis; Alabama dirt, taxidermy fish, wood, cement, antique fringe, spray paint, sound (with Tom Kidd Watson)
      |  2019

  • Self to Stone (detail)

    TOPS Gallery Madison Park, Memphis; Alabama dirt, taxidermy fish, wood, cement, antique fringe, spray paint, sound (with Tom Kidd Watson)
      |  2019

  • Quantum Superposition (with Averell Mondie)

    Perfomance; Crosstown Concourse; photographs Averell Mondie
      |  2018

  • Chapel Of Yes

    TOPS Gallery, Memphis; wood, wax, water, clay, paint, glass, catfish, crickets, silver leaf
      |  2013

  • We Have Always Lived in the Castle

    Artlab, University of Memphis; Arkansas toothpick branches, milk glass vases, wire, rope, resin, color photograph, found tea cup, alabaster, silver ink, sound
      |  2013

  • The Bloody Pond

    WPA Gallery, Los Angeles; broken glass, wood, paint, clay, color photograph, sound
      |  2011

  • Testimony

    Acuna-Hansen Gallery, Los Angeles; wood, clay, cardboard, silver leaf, fur, paper mâché, spray paint, resin
      |  2008

  • The Joyous Lake (detail)

    Acuna-Hansen Gallery, Los Angeles; vintage wedding dresses, wire, found cocktail glasses, water, clay
      |  2006

TERRI PHILLIPS Website

Memphis, TN | Sculpture, Mixed Media, Photography, Drawing, Sound, Performance
Bio:

Terri Phillips is originally from Alabama. She completed an MFA from Cal Arts after studying at Pepperdine University and Beaux-Arts in Paris. Her work includes photography, video, sculpture and performance and has been written about in Artforum, the NY Times, and the Commercial Appeal. She currently lives and works in Memphis, Tennessee

View More
Statement:

Terri Phillips draws from a multiplicity of artistic traditions, including sculpture, performance, film, installation, sound, and photography. Her work incorporates humble materials and everyday objects to create scenes of magic realism based on an abstracted narrative of the artist's history. Phillips choses materials based on their tactile and sensual qualities to provoke intuitive responses that include the viewer in completing the process of the narrative. Together these elements transform the experience with the intimacy of memory and the subconscious.

View More