• Echo Chamber

    concrete, foam, plaster, rain, pigment, steel
    27" x 22" x 10"  |  2025

  • Negated Void

    plaster, foam, steel, concrete, rain, wood, pigment
    33" x 22" x 13"  |  2025

  • Sense Of Security 1 And 2

    rain, wood, sumi and walnut Ink, steel, polypropylene paper
    63" x 42" x 42" 87" x 47" x 48"  |  2025

  • Throne

    wood, aluminum, foam, concrete, plaster, rain, poly
    16" x 17" x 64"  |  2025

  • Balancing Stability

    spruce, tung oil, epoxy
    48" x 28" x 24"  |  2024

  • Balance Cradle From Womb To Tomb

    wood, plaster, gesso
    72" x 15" x 5"  |  2023

  • Anapanasati Mindful Breathing

    wood, fire, steel, oil, enamel, grass, thread
    92" x 46" x 10"  |  2023

  • Brutalist

    combwood, wax, gesso, thread, horsehair
    16" x 10" x 8"  |  2020

  • Childs Play

    21 sterling silver spoons, latex, wood, plaster, foam
    18" x 15" x 5"  |  2020

LINDSY DAVIS The Red Arrow Gallery Website CV

Nashville, TN | Painting, Mixed Media, Printmaking, Drawing
Bio:

Lindsy Davis (b. 1990, Mahwah, NJ) is an artist living and working in Nashville, TN. After receiving her Bachelor of Fine Arts in 2014 from the School of the Museum of Fine Arts, Tufts University, Lindsy spent time in South Africa studying papermaking and printmaking at the University of Johannesburg.

In New York’s Hudson Valley, she studied organic farming and while working with the land Davis realized the necessity of sustainability, community, and skill sharing in her practice. Lindsy has been included in notable group museum exhibitions with the Parthenon Museum in Nashville, TN, the Cleve Carney Museum of Art in Chicago, Illinois and with the Mint Museum in Charlotte, North Carolina. She is featured in Soho House’s permanent collection, Four Seasons Hotel Nashville permanent collection, and several private collections throughout the United States, Europe, Canada, and South Africa. Recently Lindsy was an artist in residence at Vermont Studio Center and received a Robert J Spring Endowment for sculptors micro grant.

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Statement:

For the past ten years I have been playing with how the eye filters what the mind perceives as spacial depth. I use slight temperature/tonal shifts, varying mark-making gestures, and different paint finishes that demonstrate Gestaltism in my practice. Gestaltism is a psychological theory postulating that the mind uses negative space, shape association, and tonal cues to dictate depth and meaning through vision. My goal with this present body of work is to experiment with what is necessary for the mind to see depth with minimal visual cues to grasp on to and how that process can fabricate memory and nostalgia, which elongates the time it takes for the eye to filter and the mind to decipher meaning and depth.

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