• Flaming and Apparent

    acrylic and flashe on canvas
    84" x 72"  |  2025

  • Some Inward Maze

    acrylic on canvas
    84" x 72"  |  2025

  • Light and Languor

    acrylic on canvas
    84" x 72"  |  2025

  • A Plunge at Daylight

    acrylic and oil on canvas
    84" x 72"  |  2025

  • Grand Isle in March

    acrylic on canvas
    60" x 72"  |  2024

  • Asheville in August

    acrylic and oil on canvas
    62" x 58"  |  2024

  • Great Southern Box

    oil and oil stick on cardboard
    74" x 114"  |  2024

  • The Face Your Mother Drew

    acrylic on canvas and vinyl
    84" x 98"  |  2023

  • My All to the Sky

    acrylic on canvas
    60" x 48"  |  2023

KATIE MURPHY Website CV

Tri-cities, TN | Painting
Bio:

Katie Thompson Murphy holds a BFA in Studio Art from East Tennessee State University and an MFA in Studio Art from Maryland Institute College of Art. Murphy is a painter working with ideas of personal feminism. She grew up in Mississippi where cultural norms and expectations had a profound impact on her and continue to provide avenues to questioning and rethinking contemporary personhood. Murphy is an artist and educator and currently lives and works in Johnson City, TN.

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Statement:

My current artistic practice is living in a world informed by both figuration and abstraction. I am drawn to the canvas by meaningful relationships in my personal life. Using multiple or collaged reference images that I print from my collection of digital photos, I begin with a form, pattern, landscape or figure. Through the process of painting, I engage in a practice of removal, repetition, and transformation or my initial references and ideas. I am interested in this path of openness and possibility, releasing the demand of a destination and engaging in the joy and excitement of a painterly dérive.

I often stay with a certain color for a time. This impulse to stay and to swim around in an idea, a color, a relationship or a song is where the painting also becomes poetry. It becomes evidence and a record of my interior experience as well as marks of time from my embodied practice. I choose certain formal constraints for myself such as the stretched canvas and the color green and then open my practice to see what can happen. Much like a choral score, there are moments within my paintings of overlap and openness, repeated phrases and dynamic shifts. For me, it is a time-based practice, but the art object itself exists as evidence of that time.

A cyclical process of research and relating to the canvas allows for a type of methodical painting that I'm interested in. My work holds the tension of visibility and interiority, domestic restraints and freedom found in nature, and resistance towards a readable image. Beginning with memory and relationships, I allow those subjective sources to inform my paint handling as I continue to build, create and revisit my embodied memory of painting. Paintings can sing for you in the silence and fill in the space between. I am interested in exploring and creating this beautiful shared experience.

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