• Flat Earth

    intaglio, collage & acrylic on paper
    30 x 50"  |  2015

  • AMERICA REAL GOOD

    screen printed discharge on cotton weft, handwoven onto linen warp
    28 x 19"  |  2016

  • PLEASE STAY ON THE TIME

    screen printed dye on cottolin weft, handwoven onto linen warp
    28 x 19"  |  2016

  • Salvages

    screen printed dye on cotton weft, handwoven on linen warp
    60 x 22"  |  2016

  • Ticker Poem

    screen printed barrier tape, wood, rotating christmas tree stand. Installation variable. Run time: 3 hr 15 min.
    variable  |  2015

  • Ticker Poem (installation view)

    screen printed barrier tape, wood, rotating christmas tree stand. Installation variable. Run time: 3 hr 15 min.
    variable  |  2015

  • Embarrassment of Riches

    mixed drawing and printing media on paper and balsa
    70 x 72 x 15"  |  2014

  • Flapjack Champion

    intaglio, monoprint, and collage on paper
    28 x 20"  |  2016

  • Economy of Means

    intaglio, collage, and graphite on paper
    28 x 20"  |  2016

ELYSIA MANN Website CV

Knoxville, TN | Mixed Media, Printmaking, Drawing, Installation
Bio:

Originally from rural Nebraska, Elysia earned her BFA in visual art from Washington University in St. Louis. She established the print studio, All Along Press, where she publishes broadsides, limited edition poetry books and other collaborative projects. Her creative practice merges writing, image-making, and craft traditions, and her work has appeared in galleries nationally. Her awards include two Nebraska Book Awards and residencies at Kimmel Harding Nelson and the Art and History Museums in Maitland, Florida. She currently lives in Knoxville, where she teaches at the University of Tennessee and pursues a master’s degree in printmaking.

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Statement:

The book is an object divided, bound in dualities: left & right, intimate & social, verbal & visual, touchable & immortal. With an interdisciplinary approach that includes printmaking, weaving, installation, and poetry, my work is centered around the book and its power to influence how we view and tolerate contradictions.

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